FUMC Seminole Because we can all feel like stars

He got the 6th place in the British charts, suggesting that the British blues became popular enough among youth. Eric Clapton himself has already quit 'Bluesbreakers', without waiting for the release of this superb album. The year before, in the 1965th, Eric left the 'Yardbirds', being dissatisfied with the direction chosen by the group ('Yardbirds' in fact, by the time gradually began to move away from the rhythm & blues). But now, Clapton decided to organize a traditional blues trio in the Chicago style. Oddly enough, of this venture failed, and the dream of leadership in the group disappeared after the first rehearsal group. So there was one of the best (if not the best) progressive blues-rock bands CREAM.

Despite the constant creative differences, Jack Bruce, Eric Clapton and Ginger Baker to create great music. On the first album, 'Fresh Cream' (1966), they gave us a great heavy blues, who immediately took up the many different groups. But few people know that their long improvisations, 'Cream' virtually invented hard rock. Already on their next record, 'Disraeli Gears' (1967), in music, 'Cream' appeared psychedelia: this way, with each new work increased their level of skill, and it is possible to call a progressive style of blues. Despite the fact that the 'Cream' existed only two and a half years, they already released four excellent albums, in no way inferior to one another. Effect of 'Cream' on many other artists is really huge. At the same time great groups have been formed 'Fleetwood Mac' and 'Ten Years After', they came close to blues and hard rock have a huge commercial success.

In general, the music scene was seething. 'Lovers' actually became 'professional', still working as watchmen, janitors and stokers. In the summer of 1987 I was drafted into the army. My call-up age occurred in a relatively short period when the students were taken into the army, despite the presence of the military department (in our Tula Polytechnic any, have to be). For the 87th year (more precisely, for its first half, the second was already in the army, and a young soldier, you know, not to gigs), I looked two great 'amateur' group. 'Zoo'. This event was called "Musical Ring" with a group of 'Zoo' and it was held in DC Trade Unions ('amateurs' in Philharmonic Hall here in Tula was still not allowed.

Now in the former Palace of Culture of Trade Unions is a night club 'Premier'). During this period, television 'Musical Ring' Tamara Maximova moved to St. Petersburg on TV Central and was very popular, the phrase was on hearing all the music lovers. Almost everything seemed so. Appeared on the scene rumpled-looking man, introduced himself as the director of 'Zoo', said he is Leningrad Rock Club, told a little about the group and offered to move the concert to write notes with the questions and pass them on to the scene. In between songs, he blocks correctly answered questions. I remember, like this: 'Why you are doing other people's songs? ". Had in mind the famous "Boogie Woogie every day ', which is often shown in the' Morning-mail 'in the performance of bit-quartet' The Secret '.

On After the term Techno, well entrenched in a rigid minimalist dance music, in which was based on a straight bit of about 130 bpm. A wave of Detroit techno pretty soon reached Europe, and the music became an instant diverge on European dance floors. In the end, it was in Europe much more popular than in the states. This event led to the emergence of European artists working in the area of Detroit techno, For example, Advent. However, the Detroit masters treated with a smile, a wizard appears to techno is probably just jealous? By 1987, in Detroit – the city of Motown and P-Funk – were created futuristic music styles. DJ played his own music in clubs.

Then it was different music, but now it sounds similar. Experts say it – the synthesis of P-Funk U.S. and European synthesizer music (New Order and Kraftwerk). The unique ingredient in Detroit Techno is a 'naked' funky sound of an analog synthesizer, and, last but not least, uhayuschy, pecking rhythm. There are no vocals and podpevok. However, the revolutionary discovery of Detroit techno – a layering of rhythms, in fact polymorphic. However, this is not a formal set of rhythms in African tribal drum music: Detroit techno – the music is less complex and often uses the third instead of quarters.

Three heroes of Detroit techno – is Juan Atkins, Kevin Saunderson and Derrick May. The last of these – the most heroic, orthodox. Derrick May has written, say, The Dance.

Punk rock – a genre of rock music which arose in the mid-1970s in the U.S. and, later, in the UK. In punk rock combined social protest and opposition to the then musical forms of rock: a deliberately cultivated and primitive game pert early rock and roll. For tracks of punk rock in general, characterized by fast-paced, short duration of time, a simple accompaniment, often cheeky and aggressive style of singing. The texts are imbued with nihilism and the social and political themes. In each type of punk rock has its own individual biases.

Punk rock is inextricably linked with the punk subculture that is characterized by printsypy DIY, outrageous, bullying and general nonconformity. Meaning that investing early punk rock bands in their genre, was the desire to play, dominating over the skill to play, thanks to this definition, formed a heterogeneous early American punk scene between primitive and superficial Ramones to the complex and experimental Television. Such an approach of punk rock become the main range of subcultures – punk, DIY, fanzines culture, and later – straight edge. In 1976-1977, the punk rock begins emerge in the UK, more controversial and politicized form, thanks to this genre in 1977 became one of the most remarkable phenomena in rock music Great Britain. Over time, punk rock has generated a lot of species. The largest of them are more melodic and lightweight pop-punk, hardcore and aggressive Oi!, And combination with other genres – ska-punk and became a separate major post-punk genre.

Naturally, the word "god" and "goddess" is simply a metaphorical title role, and does not imply some sort of pagan gods, who should be worshiped as idols, as real entities. In Slavic culture are the same "gods" and "goddess", but they are called differently. A new model of Jungian psychology affects space and aesthetics, literary and musical criticism. C viewpoint of the author of this article, the CIS talent singer Tatyana Bulanova, is one of the most sacred (holy) to translate the underlying images on the stage, the alignment of space spiritual connection between the earthly world and the world divine secret. The more spiritually rich and emotionally developed person, the more fully it is able to embody the most typical role for her archetypal scenario. It is impossible to understand the specifics of creativity Tatyana Bulanova, without resorting to the analysis of the archetypal aspects of the present in her work. There on the modern stage of Russian singers and singers larger scale, as say, Alla Pugacheva, which was the largely brilliant trailblazers in various fields of popular music, Iosif Davidovich Kobzon, etc. However, Tatyana Bulanova different undoubted creative individual uniqueness, originality, its particular style of performance, causing a deep resonance, its own style in presenting himself as an artist (which also affects the establishment stage character), the presence specific theme songs, etc. In this sense, it can be considered an undoubted classic of the genre of popular music. I would say that it is in modern Russian stage a special niche where there is unparalleled.