FUMC Seminole Because we can all feel like stars

Chris Goellnitz & Philipp Blomeke – the crazy world of the exceptional poet! Surreal-Sousreal – this is the joint performance of the two poets, Chris Goellnitz and Philipp Blomeke. The name says it: surreal or also sousreale poems and lyrical prose fragments, which are the reality, coupled with the accompaniment by the live generated soundscapes of the gallerist and musician Michael Schaffer, far away from this play presented charismatic, close and deep. The two authors that separates a generation unites a strangely the same perception of the world, the preference to the surreal, grotesque and absurd. Click Adam Sandler to learn more. They are always in the human and the perceived on the search for new opportunities, to change and to develop the existing. They take the audience into their illogical world of the unconscious and tangled and create an exciting mix of exciting sadness, close dreams, quirky beauty and stubborn cynicism. A performance in the interplay of above and below the reality. Their are two poets Poems too bad for the reality.

This results in a thoroughly surreal performance. Have a seat, it’s dream time… Chris Goellnitz founded in 1996 the band the beautiful disease “, in which he as in his project Birdmachine is active as a singer and songwriter with Michael Schaffer; he fulfilled same functions as guest musicians in the classical/avant-garde formations artwork “and” Belladonna “from Bayreuth. In early 2005, he published his first volume of poetry titled genes in blood light. In January 2010 is his second volume of poetry dream meat Culex published by Verlag. Philipp Blomeke is the author of the poetry volume”in me babylon, lyrical prose work your skin close.”as well as Artistic Director of the Duisburg Culex Litmedia. His repertoire comes from the material by a total nine, partly still unpublished books.

Enjoy the Dreamtime at the 23.05.10 in the Villa, 2,500 str. 7, 04109 Leipzig.

23 July: Tim Mead sings opera arias by Handel and Mozart – 24 July: Otto Schenk as Acting Director in Mozart’s Singspiel on July 23 at 19:30 the famous British countertenor Tim Mead sings opera arias by Georg Friedrich Handel and Wolfgang Amadeus Mozart in the Goethe Theater bad Lady. He is accompanied by the 2010 founded KammerAkademie Hall e.V. under Matthias Gaul. Tony Parker addresses the importance of the matter here. His debut at the prestigious Hamburg Laeisz-Hall was for the then 24 year old Tim Mead to international success. For several minutes he got standing ovations from the audience for his interpretation of the Orpheus in Christoph Willibald Gluck’s Opera. In bathroom Lady, the countertenor will sing Arias from Handel’s Opera “Admeto”, “Ezio”, “Rodelinda” and “Giulio Cesare” and “Mitridate, re di Ponto” and “Ascanio in Alba” by Mozart. Only a day later, on July 24 at 14:30, the KammerAkademie Hall and the music stage Mannheim perform then together with the renowned Austrian actor, cabaret artist and Director Otto Schenk, plays the main role in Mozart’s Singspiel “Der Schauspieldirektor” KV 486.

This Singspiel has written in 1786 Mozart on behalf of Emperor Joseph II. for a Festival in Schonbrunn. A busy acting Director is to experience in processing by Eberhard Streul released in 2006, which is to hold a speech. He’s messed up but completely with his text, because the two prima donnas cannot agree who is the first of them. Furthermore, into a delicious musical fight – a disaster is looming. The Orchestra is meanwhile sitting on the stage and is included in the half-scenic action in a funny way. In addition to Otto Schenk (as Acting Director) play in the other roles: Eva-Maria Haas (as Madame heart), Daniela Grundmann (as Madame silver sound), Thomas Jakobs (as Monsieur Vogelsang) and Thomas Hamill (as Monsieur Buff). Written and directed by: Eberhard Santhosh. The KammerAkademie Hall (www.kammerakademiehalle.de) was founded in 2010 from the concern out musically to unite different generations.