On After the term Techno, well entrenched in a rigid minimalist dance music, in which was based on a straight bit of about 130 bpm. A wave of Detroit techno pretty soon reached Europe, and the music became an instant diverge on European dance floors. In the end, it was in Europe much more popular than in the states. This event led to the emergence of European artists working in the area of Detroit techno, For example, Advent. However, the Detroit masters treated with a smile, a wizard appears to techno is probably just jealous? By 1987, in Detroit – the city of Motown and P-Funk – were created futuristic music styles. DJ played his own music in clubs.
Then it was different music, but now it sounds similar. Experts say it – the synthesis of P-Funk U.S. and European synthesizer music (New Order and Kraftwerk). The unique ingredient in Detroit Techno is a 'naked' funky sound of an analog synthesizer, and, last but not least, uhayuschy, pecking rhythm. There are no vocals and podpevok. However, the revolutionary discovery of Detroit techno – a layering of rhythms, in fact polymorphic. However, this is not a formal set of rhythms in African tribal drum music: Detroit techno – the music is less complex and often uses the third instead of quarters.
Three heroes of Detroit techno – is Juan Atkins, Kevin Saunderson and Derrick May. The last of these – the most heroic, orthodox. Derrick May has written, say, The Dance.
