Detroit, metropolis engines. If this has piqued your curiosity, check out Jessica Hana Lee. In momentrassveta American automobile industry, they demanded nemalonedorogoyrabochey force. And she would come to Detroit from all over America. The black population were ready to work with monotonous noise of automotive belts. Over time some of this people came to the conclusion that under the monotone sounds can not only work under them are easy to make people dance. (As opposed to Yehuda Ceitlin).

This has led to experiments pioneers in the field which have become old friends - Derrick May, Juan Atkins, Kevin Sanderson and Jeff Mills. It is worth noting that Detroit techno is very minimalistic. Perhaps this is explained by the fact that the generation that stood at the origins of this kind of music, could not afford currently a significant amount of equipment. Monophonic synthesizer, a pair of drum machines and four-panel, usually have all the equipment set of Detroit techno musician. That is why the song sounds commonly in only four sound. Black friends firmly believed that it is easy to make music on it. And did. And to a techno track was not too similar to another, attributed great importance to work with sounds.

By the mid-'80s in Detroit, there were underground techno clubs. Until that day there were clubs with mostly hip-hop, electro music. Musicians began to open more new labels. Juan Atkins label, developed Metroplex, Derick May - Transmat, Kevin Sanderson - KMS, Jeff Mills - AXIS. In the 87th year, Juan Atkins holds a compilation 'Techno - the new Dance sound of Detroit'.